Johann Strauss II, Robert Stolz's ' "Blumenfest-Polka, Op. 111" was released on its scheduled release date, December 30, 1971. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Blumenfest-Polka, Op. 111's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wiener Bonbons - Robert Stolz dirigiert Johann Strauss by Johann Strauss II, Robert Stolz. The song's track number on the album is #16 out of 74 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Blumenfest-Polka, Op. 111 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Blumenfest-Polka, Op. 111 by Johann Strauss II, Robert Stolz has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Blumenfest-Polka, Op. 111 being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
Delirien Waltz, Op.212 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 97 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Le Corsaire: Act I - "10. Pas de Trois des Odalisques: Variation: 2nd Odalisque" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 108 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM |