Anatoly Lyadov, Vladimir Stoupel's 'Variations on the Romance Venitian Night by Mikhail Glinka: II. Allegro grazioso' came out on August 18, 2017. With Variations on the Romance Venitian Night by Mikhail Glinka: II. Allegro grazioso being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Vladimir Stoupel's "Mikhail Glinka: Variations for Piano" album is number 38 out of 48. Variations on the Romance Venitian Night by Mikhail Glinka: II. Allegro grazioso is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Variations on the Romance Venitian Night by Mikhail Glinka: II. Allegro grazioso by Anatoly Lyadov, Vladimir Stoupel to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Four Excursions, Op. 20: No. 3. Allegretto | Samuel Barber, André Previn | G Major | 5 | 9B | 91 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
2 Pieces, Op. 24: I. Prelude in E Major | Anatoly Lyadov, Stephen Coombs | E Major | 0 | 12B | 126 BPM | ||
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
3 Pieces, Op. 11: No. 1. Prelude in B Minor | Anatoly Lyadov, Konstantin Scherbakov | G Major | 0 | 9B | 65 BPM | ||
Five Pieces For Two Violins and Piano: III. Elegy | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | A Major | 1 | 11B | 92 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
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