Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown made "Concerto for Descant Recorder, Strings, and Continuo in F: 3. Allegro assai" available on November 1, 1980. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Recorder Concertos By Vivaldi, Sammartini, Telemann & Handel". In this album, this song's track order is #6. In terms of popularity, Concerto for Descant Recorder, Strings, and Continuo in F: 3. Allegro assai is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Descant Recorder, Strings, and Continuo in F: 3. Allegro assai by Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in D Major, Hob.I:6 "Le Matin": I. Adagio - Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Minor | 1 | 6A | 79 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Overture (Suite) in D Minor, TWV 55:d3: II. Menuets I and II | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 0 | 6B | 68 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Pièces de clavecin en concerts, Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | B Minor | 2 | 10A | 114 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 3. Allegro | Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 99 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM |
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