- BPM
- 60
- Key
- B Minor
- Camelot
- 10A
Intimations of Immortality, Op. 29: The Rainbow comes and goes - Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 18%
- Instrumentalness
- 14%
- Liveness
- 60%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -18.623 dB
Summary
"Intimations of Immortality, Op. 29: The Rainbow comes and goes" by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill was released on May 16, 2006. The duration of Intimations of Immortality, Op. 29: The Rainbow comes and goes is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Intimations of Immortality, Op. 29: The Rainbow comes and goes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Finzi: Intimations of Immortality / for St Cecilia by Gerald Finzi. Intimations of Immortality, Op. 29: The Rainbow comes and goes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Intimations of Immortality, Op. 29: The Rainbow comes and goes BPM
The tempo marking of Intimations of Immortality, Op. 29: The Rainbow comes and goes by Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Intimations of Immortality, Op. 29: The Rainbow comes and goes Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | |
 | Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | |
 | Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | |
 | Elegy for Orchestra, Op. 20 - "The Fall of the Leaf" | Gerald Finzi, Hallé, Halle Choir, Lyn Fletcher, Sir Mark Elder | D Minor | 1 | 7A | 79 BPM | |
 | Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | |
 | L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | |
 | La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | |
 | Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8321676254272461
End: 0.8359911441802979