Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'Orfeo ed Euridice: Act III Scene 1: Recitativo: Vieni, segui i miei passi (Orfeo, Euridice)' came out on March 3, 2010. With this song being about 5 minutes long, at 5:20, "Orfeo ed Euridice: Act III Scene 1: Recitativo: Vieni, segui i miei passi (Orfeo, Euridice)" by Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, Hartmut Haenchen's "Gluck, G.W.: Orfeo ed Euridice" album is number 1 out of 51. On top of that, United States appears to be the country where this track was created. Orfeo ed Euridice: Act III Scene 1: Recitativo: Vieni, segui i miei passi (Orfeo, Euridice) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orfeo ed Euridice: Act III Scene 1: Recitativo: Vieni, segui i miei passi (Orfeo, Euridice) by Christoph Willibald Gluck, Jochen Kowalski, Dagmar Schellenberger, Christian Fliegner, Rundfunkchor Berlin, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
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