Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset made "Atys, LWV 53, Prologue: Ritournelle" available on January 12, 2024. The duration of Atys, LWV 53, Prologue: Ritournelle is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Atys, LWV 53, Prologue: Ritournelle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Chœur De Chambre De Namur, Les Talens Lyriques, Christophe Rousset's "Lully: Atys" album is number 8 out of 75. In terms of popularity, Atys, LWV 53, Prologue: Ritournelle is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Atys, LWV 53, Prologue: Ritournelle by Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme, LWV 43, Act I Scene 2: Gravement, Plus vite, Sarabande, Bourrée, Gaillarde, Canarie | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Thibault de Damas | F Minor | 3 | 4A | 96 BPM | ||
Ballet des muses, LWV 32: Trop indiscret Amour | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset | B♭ Major | 2 | 6B | 113 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: III. Laudamus te: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 183 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 111 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Aria "Dum me mori est necesse" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
Dies irae, LWV 64/1: Lacrymosa dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | G Major | 1 | 9B | 87 BPM | ||
Dido and Aeneas, Z. 626, Act I: Fear no danger - See, your royal guest appears | Henry Purcell, La Nuova Musica, David Bates, Hilary Cronin, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
Stabat Mater, P. 77: VII. Eia Mater | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |
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