Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset's 'Ballet des muses, LWV 32: Trop indiscret Amour' came out on April 19, 2024. Ballet des muses, LWV 32: Trop indiscret Amour is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 15 out of 17 in Doux silence by Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ballet des muses, LWV 32: Trop indiscret Amour is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ballet des muses, LWV 32: Trop indiscret Amour by Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude Feuer | Marthe Perl, Hille Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Atys, LWV 53, Act I: Ritournelle (Atys, Idas) | Jean-Baptiste Lully, Reinoud Van Mechelen, Romain Bockler, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Si jamais mon ame blessée | Pierre Guédron, Les Musiciens De Saint-Julien, François Lazarevitch | D Minor | 1 | 7A | 77 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | E Minor | 0 | 9A | 111 BPM | ||
Le bourgeois gentilhomme, LWV 43: Ouverture | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 4 | 4A | 114 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM |
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