Gabriel Fauré, Anne-Sophie Mutter, Lambert Orkis made "Sonata For Violin And Piano No. 1 in A Major, Op. 13: III. Allegro vivo" available on May 16, 2020. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 96 in the song's album "Romantic Vol.2". In this album, this song's track order is #75. Furthermore, we believe that the track originated from Germany. Sonata For Violin And Piano No. 1 in A Major, Op. 13: III. Allegro vivo is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata For Violin And Piano No. 1 in A Major, Op. 13: III. Allegro vivo by Gabriel Fauré, Anne-Sophie Mutter, Lambert Orkis having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM |
Section: 0.6582798957824707
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