"Piano Quintet No.2: 1. Moderato" by Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski was released on May 18, 2021. Since Piano Quintet No.2: 1. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 77 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. Based on our statistics, Piano Quintet No.2: 1. Moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quintet No.2: 1. Moderato by Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Dutilleux: Oboe Sonata: II. Scherzo (Vif) | Henri Dutilleux, François Leleux, Emmanuel Strosser | A Major | 2 | 11B | 152 BPM | ||
Zigeunerweisen, Op. 20: III. Un peu plus lent | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | C Minor | 0 | 5A | 88 BPM | ||
Pulcinella (Concert Suite), K34: IV. Tarantella (Transcr. for Solo Violin and Chamber Orchestra) | Igor Stravinsky, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |
Section: 0.707756757736206
End: 0.71217942237854