Württembergische Philharmonie Reutlingen, Salvador Mas-Conde's 'The Three Cornered Hat ( " El Sombrero de Tres Picos " ): VII. Dance of the Neighbours (Seguidillas)' came out on 1990. The duration of The Three Cornered Hat ( " El Sombrero de Tres Picos " ): VII. Dance of the Neighbours (Seguidillas) is about 3 minutes long, at 3:25. Based on our data, "The Three Cornered Hat ( " El Sombrero de Tres Picos " ): VII. Dance of the Neighbours (Seguidillas)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Schmalfuss, Vienna Radio Symphony Orchestra, Milan Horvath's "Music For The Millions Vol. 6 - Debussy / De Falla" album is number 10 out of 12. On top of that, Germany appears to be the country where this track was created. The Three Cornered Hat ( " El Sombrero de Tres Picos " ): VII. Dance of the Neighbours (Seguidillas) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Three Cornered Hat ( " El Sombrero de Tres Picos " ): VII. Dance of the Neighbours (Seguidillas) by Württembergische Philharmonie Reutlingen, Salvador Mas-Conde to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Tres Danzas: II. Pasillo. Andante - Più mosso - Tempo I | Guillermo Uribe Holguin, Gabriel Castagna, Wurttemberg Philharmonic Orchestra | A Minor | 2 | 8A | 123 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Primera obertura de concierto | Alberto Williams, Gabriel Castagna, Wurttemberg Philharmonic Orchestra | A Minor | 2 | 8A | 116 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bouree | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto | Sergei Rachmaninoff, Matthais Soucek, Württembergische Philharmonie Reutlingen, Stefan Malzew | E Major | 0 | 12B | 73 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM |
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