On January 1, 2003, the song "Soul Down the Line" was released by Jonathan Best. With this song being about 5 minutes long, at 5:12, "Soul Down the Line" by Jonathan Best is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Songs From Before I Got Laid". In this album, this song's track order is #17. In terms of popularity, Soul Down the Line is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Soul Down the Line by Jonathan Best having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il quarto libro de madrigali (1603): Si ch'io vorrei morire | Claudio Monteverdi, Purcell Consort Of Voices, Grayston Burgess | G Minor | 2 | 6A | 84 BPM | ||
Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 40: No. 1, E dicea l’una sospirando all’hora | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rossana Bertini, Rosa Dominguez, Claudio Cavina, Sandro Naglia, Daniele Carnovich | E♭ Minor | 0 | 2A | 89 BPM | ||
L'Orfeo, Ato primo: II. Lasciate i monti | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Francesc Garrigosa, Le Concert Des Nations | G Major | 2 | 9B | 85 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 97 BPM | ||
Requiem Mass, 1605: Responsory, Libera me, Domine | Tomás Luis de Victoria, Tenebrae, Nigel Short | E Minor | 1 | 9A | 69 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Stabat Mater pour dix voix et basse continue: VII. Juxta crucem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 129 BPM |
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