"Requiem Mass, 1605: Responsory, Libera me, Domine" by Tomás Luis de Victoria, Tenebrae, Nigel Short was released on March 28, 2011. Since Requiem Mass, 1605: Responsory, Libera me, Domine is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #12 out of 32 tracks. Requiem Mass, 1605: Responsory, Libera me, Domine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem Mass, 1605: Responsory, Libera me, Domine by Tomás Luis de Victoria, Tenebrae, Nigel Short has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem Mass, 1605: Responsory, Libera me, Domine being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Sentences For Queen Mary: In The Midst Of Life | Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins | C Minor | 0 | 5A | 88 BPM | ||
In paradisum | Christian Forshaw, Tenebrae, Nigel Short | D Major | 0 | 10B | 132 BPM | ||
Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | F Minor | 3 | 4A | 91 BPM | ||
Ecclesie militantis | Guillaume Dufay, Pomerium, Alexander Blachly | F Major | 2 | 7B | 76 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Officium Defunctorum. Missa pro defunctis: I. Introitus | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | G Major | 2 | 9B | 77 BPM | ||
Responsories for Maundy Thursday Nocturn 3: II. Una hora non potuistis vigilare mecum | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 136 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM |
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