Johann Heinrich Schmelzer, Nikolaus Harnoncourt, Concentus Musicus Wien made "Schmelzer: Sonata a 5 (From Kroměříž MS A 552)" available on May 19, 2023. Since Schmelzer: Sonata a 5 (From Kroměříž MS A 552) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Schmelzer: Sacro-profanus concentus musicus". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Schmelzer: Sonata a 5 (From Kroměříž MS A 552)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Schmelzer: Sonata a 5 (From Kroměříž MS A 552) by Johann Heinrich Schmelzer, Nikolaus Harnoncourt, Concentus Musicus Wien having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata - 'Victori der Christen' (c. 1683-84): II. Der Türken Belägerung der Stadt Wien | Johann Heinrich Schmelzer, Romanesca, Andrew Manze | C Major | 1 | 8B | 108 BPM | ||
Fantazia III, Z. 734 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 73 BPM | ||
Sonata ad tabulum a 4 | Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra | F♯ Major | 1 | 2B | 123 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Sonata a Violoncello Solo G Major: Largo | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | F♯ Major | 1 | 2B | 140 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Sonata a tre, Op. 3, No. 11: II. Presto | Arcangelo Corelli, Musica Antiqua Latina | F♯ Minor | 2 | 11A | 81 BPM |
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