Nicola Porpora, Max Emanuel Cenčić, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 3: "Già l’affetto di sposa"" available on November 3, 2017. With Germanico in Germania / Act 3: "Già l’affetto di sposa" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #53. In terms of popularity, Germanico in Germania / Act 3: "Già l’affetto di sposa" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Germanico in Germania / Act 3: "Già l’affetto di sposa" by Nicola Porpora, Max Emanuel Cenčić, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polifemo: Scena ultima terzetto: La gioia immortal che alletta - Galatea, Aci, Ulisse | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, Max Emanuel Cenčić, George Petrou, Armonia Atenea | D♭ Minor | 3 | 12A | 82 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Petite messe solennelle: O salutaris Hostia | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva | G Major | 1 | 9B | 91 BPM | ||
Les Indes galantes: "Tendre Amour" | Jean-Philippe Rameau, Les Arts Florissants, Les solistes du Jardin des Voix 2013, William Christie | C Major | 3 | 8B | 69 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Polifemo: Aria: Ascoltar no, non ti voglio - Galatea | Nicola Porpora, Julia Lezhneva, George Petrou, Armonia Atenea | E♭ Major | 2 | 5B | 96 BPM | ||
Platée, RCT 53, Acte II, Scène IV: Récitativ "Essayons du brillant" - Ariette "Aux langueurs d'Apollon" | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 111 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM |
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