Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Harmonia artificioso-ariosa / Partia III: Ciacona (Canon In Unisono)" available on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia III: Ciacona (Canon In Unisono) is about 3 minutes long, at 3:26. Based on our data, "Harmonia artificioso-ariosa / Partia III: Ciacona (Canon In Unisono)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Based on our statistics, Harmonia artificioso-ariosa / Partia III: Ciacona (Canon In Unisono)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harmonia artificioso-ariosa / Partia III: Ciacona (Canon In Unisono) by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: IV. Saraband | Matthew Locke, Phantasm, Elizabeth Kenny | A♭ Major | 1 | 4B | 180 BPM | ||
Sey tausenmahl willkommen, TWV 13: 9a | Georg Philipp Telemann, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Minor | 0 | 10A | 119 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro | Johann Friedrich Fasch, Il Gardellino | A♭ Major | 2 | 4B | 99 BPM | ||
Quatrième suite in A Minor: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM |
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