"Clarinet Concerto in A, K.622: 2. Adagio" by Wolfgang Amadeus Mozart, Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1973. Since Clarinet Concerto in A, K.622: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Jack Brymer, Neil Black, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Clarinet Concerto / Oboe Concerto" album is number 2 out of 6. On top of that, Netherlands appears to be the country where this track was created. Clarinet Concerto in A, K.622: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Clarinet Concerto in A, K.622: 2. Adagio by Wolfgang Amadeus Mozart, Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Christopher Parkening, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 171 BPM | ||
Telemann : Oboe Concerto in C Minor, TWV 51/c1: III. Andante (Arr. for Trumpet) | Georg Philipp Telemann, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 92 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 0 | 9B | 62 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Violin Concerto No. 1 in B-Flat Major, K. 207: 2. Adagio | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | E♭ Major | 1 | 5B | 105 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Thais, Meditación | Nueva Vida | D Major | 1 | 10B | 89 BPM | ||
Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM |
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