Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio - Tomaso Albinoni, Claudio Scimone, I Solisti Veneti Information

Acousticness: 92%
Danceability: 7%
Energy: 20%
Instrumentalness: 80%
Liveness: 30%
Loudness: 71%
Speechiness: 5%
Valence: 4%
Popularity: 27%
Loudness: -17.452 dB

Summary

"Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio" by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti was released on 1970. The duration of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio BPM

The tempo marking of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Albinoni: Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro	Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti	D Major	3	10B	104 BPM
Concerto in G Minor: I. Allegro	Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries	G Minor	1	6A	94 BPM
Zaïs, Ouverture	Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset	C Major	4	8B	137 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile	Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle	C Major	2	8B	106 BPM
Sonata in G Major, KK. 455	Domenico Scarlatti, Yuja Wang	G Major	1	9B	139 BPM
Sinfonia in E major, RV 132: II. Andante	Karoly Botvay	A Major	0	11B	79 BPM
Méditation de Thaïs	Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso	E Minor	0	9A	96 BPM
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	F Major	2	7B	123 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo"	George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger	F Major	1	7B	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.648737907409668

End: 0.6518805027008057