"Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio" by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti was released on 1970. The duration of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Albinoni's Adagios by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti. Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio by Tomaso Albinoni, Claudio Scimone, I Solisti Veneti is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albinoni: Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM |
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