Lorenzo Palomo, Maria Bayo, Pepe Romero's 'Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 2. Linda de mi corason (My Heart's Beauty)' had a release date set for 2009. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Palomo, L.: My Secluded Garden / Madrigal and 5 Sephardic Songs / Concierto De Cienfuegos". In this album, this song's track order is #13. Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 2. Linda de mi corason (My Heart's Beauty) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 2. Linda de mi corason (My Heart's Beauty) by Lorenzo Palomo, Maria Bayo, Pepe Romero having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Symphony No. 6, Op. 62: III. Finale. Vivo - L'istesso tempo. Alla valse | Matthew Taylor, BBC National Orchestra Of Wales | D Major | 0 | 10B | 83 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Kyrie in D Major: IV. Versetto No.3, Senza indicazione di tempo | Giacomo Puccini, Paolo Bottini | D Major | 0 | 10B | 141 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
El dilema del destornilla | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM |