- BPM
- 84
- Key
- E Minor
- Camelot
- 9A
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims - Franz Lehár, Vienna Volksoper Orchestra, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz, Lotte Rysanek Information
- Acousticness
- 80%
- Danceability
- 26%
- Energy
- 27%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 32%
- Popularity
- 2%
- Loudness
- -15.094 dB
Summary
Franz Lehár, Vienna Volksoper Orchestra, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz, Lotte Rysanek's 'Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims' came out on September 1, 2010. The duration of Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims is about 3 minutes long, at 3:23. Based on our data, "Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 32 in Beliebte Operettenmelodien by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims BPM
The tempo marking of Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims by Franz Lehár, Vienna Volksoper Orchestra, Vienna Volksoper Choir, Franz Bauer-Theussl, Kurt Equiluz, Lotte Rysanek is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die Lustige Witwe: Es waren 2 Königskinder/Ich geh jetzt ins Maxims Key
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | G Major | 5 | 9B | 119 BPM | |
 | Schubert : "Kennst du das Land" D321 | Franz Schubert, Barbara Bonney | F Major | 1 | 7B | 91 BPM | |
 | The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | |
 | Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | |
 | Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | |
 | Dein ist mein ganzes Herz | Franz Lehár, Fritz L√∂hner-Beda, Ludwig Herzer, Jonathan Antoine | G Minor | 5 | 6A | 117 BPM | |
 | Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | |
 | Gold and Silver Waltz, Op. 79 | Franz Lehár, Tonhalle-Orchester Zürich | C Major | 1 | 8B | 98 BPM |
- ISRC
- CAM460870147
- Label
- L-M Records/RCA Records
Section: 0.7236957550048828
End: 0.7288200855255127