Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth's 'Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer' came out on 1959. With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #8 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 3: Böhmischer Walzer being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
Symphony No.4 In E Minor, Op.98: 2. Andante moderato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 69 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Symphony No. 101 in D Major, Hob. I: 101 "The Clock": II. Andante | Joseph Haydn, Fritz Reiner | G Minor | 1 | 6A | 75 BPM | ||
Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 : Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 98 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 70 BPM |
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