"O Helga Natt (Arr. Gamley & Hazell)" by Adolphe Adam, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen was released on November 10, 2023. With this song being about 5 minutes long, at 4:52, "O Helga Natt (Arr. Gamley & Hazell)" by Adolphe Adam, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 14 in Christmas from Norway by Lise Davidsen, Franz Xaver Gruber, The Norwegian Radio Orchestra, Jean Sibelius, Christian Eggen, Johann Sebastian Bach, Charles Gounod, Hugo Wolf. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. O Helga Natt (Arr. Gamley & Hazell) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Helga Natt (Arr. Gamley & Hazell) by Adolphe Adam, Lise Davidsen, The Norwegian Radio Orchestra, Christian Eggen is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 1. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Adagio Molto | Baroque Festival Orchestra, Alberto Lizzio | B Minor | 0 | 10A | 66 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | G Major | 2 | 9B | 166 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM |
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