Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain" available on January 1, 1990. The duration of Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "El abuelo, fumando su pipa, salió de la casa..." - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act I: Introduction | Richard Strauss, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
La source, ou Naila: Sash Dance: II. Andante | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E Major | 0 | 12B | 83 BPM | ||
La Fanciulla del West / Act 1: Introduction | Giacomo Puccini, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F♯ Minor | 1 | 11A | 168 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): V. Ballet of Unhatched Chicks in Their Shells | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 1 | 3B | 173 BPM |
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