Spring Symphony, Op.44: 12. Finale: London, to thee I do present - Benjamin Britten, John Mark Ainsley, Catherine Robbin, Alison Hagley, Philharmonia Orchestra, John Eliot Gardiner, The Monteverdi Choir, Choristers of Salisbury Cathedral, Richard Seal Information

Acousticness: 97%
Danceability: 21%
Energy: 28%
Instrumentalness: 0%
Liveness: 10%
Loudness: 69%
Speechiness: 6%
Valence: 12%
Popularity: 0%
Loudness: -18.548 dB

Summary

"Spring Symphony, Op.44: 12. Finale: London, to thee I do present" by Benjamin Britten, John Mark Ainsley, Catherine Robbin, Alison Hagley, Philharmonia Orchestra, John Eliot Gardiner, The Monteverdi Choir, Choristers of Salisbury Cathedral, Richard Seal was released on June 27, 2020. Since Spring Symphony, Op.44: 12. Finale: London, to thee I do present is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 45 out of 61 in Britten: His Music by Benjamin Britten. Spring Symphony, Op.44: 12. Finale: London, to thee I do present is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spring Symphony, Op.44: 12. Finale: London, to thee I do present BPM

The tempo marking of Spring Symphony, Op.44: 12. Finale: London, to thee I do present by Benjamin Britten, John Mark Ainsley, Catherine Robbin, Alison Hagley, Philharmonia Orchestra, John Eliot Gardiner, The Monteverdi Choir, Choristers of Salisbury Cathedral, Richard Seal is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Spring Symphony, Op.44: 12. Finale: London, to thee I do present Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	A♭ Minor	0	1A	122 BPM
Britten: Serenade, Op. 31: IV. Elegy	Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker	F Major	0	7B	99 BPM
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Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent)	Claude Debussy, Mstislav Rostropovich, Benjamin Britten	G Major	0	9B	66 BPM
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	F Major	2	7B	72 BPM
Rollicum Rorum, Op.15, No.6 - Instrumental	Gerald Finzi, Aurora Orchestra, Nicholas Collon, Amy Dickson	G Major	2	9B	130 BPM
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus)	Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra	G Major	1	9B	92 BPM
Ma mère l'Oye, M. 60 (Version for Orchestra): I. Pavane of the Sleeping Beauty (Pavane de la belle au bois dormant)	Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek	C Major	0	8B	71 BPM
The Birds, P. 154: IV. The Nightingale (L'usignolo)	Ottorino Respighi, Orpheus Chamber Orchestra	C Major	0	8B	85 BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8798694610595703

End: 0.8838181495666504