"Requiem: II. Offertorio" by Bob Chilcott, Wells Cathedral Choir, Nash Ensemble, Matthew Owens was released on March 23, 2012. Since Requiem: II. Offertorio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Bob Chilcott: Requiem & Other Choral Works by Bob Chilcott, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Requiem: II. Offertorio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: II. Offertorio by Bob Chilcott, Wells Cathedral Choir, Nash Ensemble, Matthew Owens is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Sing, my Child - SATB | Sarah Quartel, The Oxford Choir | F Major | 1 | 7B | 138 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Circlesong: Part III, Lover: Chinook Songs | Bob Chilcott, Andreea Muţ, Jessica Myers, Richard Brown, Mark Stein, Leonardo Soto, Matt Richards, Houston Chamber Choir, The Treble Choir of Houston, Robert Simpson | C Minor | 0 | 5A | 83 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | ||
In the Stillness | Sally Beamish, Katrina Shepherd, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 0 | 8A | 125 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM |
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