"Verdi : Un ballo in maschera : Prelude to Act 1" by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera was released on 1994. With this song being about 5 minutes long, at 4:38, "Verdi : Un ballo in maschera : Prelude to Act 1" by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi : Un ballo in maschera by Giuseppe Verdi, Michèle Crider, Maria Bayo, Elena Zaremba, Richard Leech, Vladimir Chernov, Carlo Rizzi & Orchestra of Welsh National Opera, Carlo Rizzi, Orchestra of Welsh National Opera. The song's track number on the album is #1 out of 46 tracks. Based on our statistics, Verdi : Un ballo in maschera : Prelude to Act 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi : Un ballo in maschera : Prelude to Act 1 by Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi : Un ballo in maschera : Prelude to Act 1 being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Puccini: Madama Butterfly, Act 1: "Sorride Vostro Onore?" (Suzuki, Pinkerton, Goro, Sharpless) | Giacomo Puccini, Antonio Pappano, Enkelejda Shkosa, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 115 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Aida / Act 1: Celeste Aida | Giuseppe Verdi, Andrea Bocelli, Israel Philharmonic Orchestra, Zubin Mehta | B♭ Major | 1 | 6B | 82 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Nabucco / Act 2: Salgo già del trono aurato | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 4 | 8B | 81 BPM |
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