Franz Joseph Haydn, Kungsbacka Piano Trio made "Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese" available on January 4, 2011. The duration of Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese is about 3 minutes long, at 3:25. Based on our data, "Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Kungsbacka Piano Trio's "Haydn: Piano Trios, Vol. 1" album is number 9 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese by Franz Joseph Haydn, Kungsbacka Piano Trio to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Symphony No. 1 in G Minor: IV. Finale. Allegro agitato | Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg | G Minor | 3 | 6A | 115 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Marionnettes, Op. 29 | Anatoly Lyadov, Yoko Kikuchi | E♭ Major | 1 | 5B | 122 BPM | ||
Fantasiestücke, Op.73 (1995 - Remaster): III. Rasch und mit Feuer - Coda (Schneller) | Robert Schumann, Jacqueline du Pré | A Major | 1 | 11B | 54 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | D♭ Minor | 0 | 12A | 169 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Octet in F Major, D. 803: III. Allegro vivace - Trio | Franz Schubert, Budapest Schubert Ensemble | D Major | 3 | 10B | 84 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM |
Section: 0.945833683013916
End: 0.9496142864227295