Manuel Rosenthal, GIA Publications, Inc. made "Gaite Parisienne (After J. Offenbach): Allegro and Allegro" available on January 1, 2001. With Gaite Parisienne (After J. Offenbach): Allegro and Allegro being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 36 in First Steps in Classical Music: Keeping the Beat by GIA Publications, Inc.. Based on our statistics, Gaite Parisienne (After J. Offenbach): Allegro and Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gaite Parisienne (After J. Offenbach): Allegro and Allegro by Manuel Rosenthal, GIA Publications, Inc. is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Mesdames de la Halle: "Au beau jour de la mi-carême" - Raflafla, Chorus | Jacques Offenbach, Manuel Rosenthal, Charles Burles, Monte-Carlo Philharmonic Orchestra | C Major | 1 | 8B | 111 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Offenbach & Rosenthal: Gaîté parisienne: VIII. Polka | Jacques Offenbach, Manuel Rosenthal, Orchestre de l'Opéra de Monte-Carlo | G Major | 6 | 9B | 164 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance V | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | D Major | 3 | 10B | 109 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
8 Bagatelles: No. 6, Rag | Manuel Rosenthal, Gottlieb Wallisch | D♭ Major | 2 | 3B | 98 BPM |
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