"Symphony in B-Flat Major, W. I/20: II. Andante con moto" by Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen was released on January 4, 2011. Symphony in B-Flat Major, W. I/20: II. Andante con moto is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 8 out of 10 in Bach: Symphonies, Nos. 6, 10, 20 by Johann Christoph Friedrich Bach, Morten Schuldt-Jensen. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Symphony in B-Flat Major, W. I/20: II. Andante con moto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony in B-Flat Major, W. I/20: II. Andante con moto by Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphonie Concertante in C Major, Op. 9 No. 1: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | F Major | 3 | 7B | 128 BPM | ||
Flute Concerto in E Minor: I. Allegro con brio | Franz Benda, Mikael Helasvuo, Helsinki Chamber Orchestra, Jukka-Pekka Saraste | E Minor | 2 | 9A | 150 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 3 | 9B | 91 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 3. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 108 BPM | ||
Symphony in G Minor, Op. 1, No. 1, (Callen 1): II. Andante | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 0 | 6B | 204 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Symphony in B-Flat Major, W. I/20: IV. Rondo allegretto scherzando | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | B♭ Major | 3 | 6B | 132 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM |
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