"Trois beaux oiseaux du Paradis" by Maurice Ravel, Norddeutscher Figuralchor, Jörg Straube was released on January 1, 1995. The duration of Trois beaux oiseaux du Paradis is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Trois beaux oiseaux du Paradis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 25 in Debussy, Poulenc, Ravel: Chansons by Norddeutscher Figuralchor, Jörg Straube. The popularity of Trois beaux oiseaux du Paradis is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois beaux oiseaux du Paradis by Maurice Ravel, Norddeutscher Figuralchor, Jörg Straube is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, Acte 4: Forêts paisibles (Zima, Adario, Chorus) | Jean-Philippe Rameau, Jean-François Paillard, Orchestre Jean-François Paillard | B♭ Minor | 1 | 3A | 60 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | ||
To the Hands: No. 6. I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 88 BPM | ||
The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM |
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