Rinaldo / Act 3: Recitativo: Di quel strani accidenti - George Frideric Handel, Bernarda Fink, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 97%
Danceability: 62%
Energy: 4%
Instrumentalness: 0%
Liveness: 8%
Loudness: 59%
Speechiness: 8%
Valence: 31%
Popularity: 8%
Loudness: -24.517 dB

Summary

George Frideric Handel, Bernarda Fink, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's 'Rinaldo / Act 3: Recitativo: Di quel strani accidenti' came out on October 16, 2000. With Rinaldo / Act 3: Recitativo: Di quel strani accidenti being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 16 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 3: Recitativo: Di quel strani accidenti is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

Rinaldo / Act 3: Recitativo: Di quel strani accidenti BPM

We consider the tempo marking of Rinaldo / Act 3: Recitativo: Di quel strani accidenti by George Frideric Handel, Bernarda Fink, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Rinaldo / Act 3: Recitativo: Di quel strani accidenti Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	A Major	2	11B	120 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848	Daniel Barenboim	D♭ Major	1	3B	84 BPM
Concerto For Oboe In D Minor - Presto	Tafelmusik Baroque Orchestra	D♭ Minor	3	12A	104 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Sonata in G major, Wq. 62/19: 2. Andante	Carl Philipp Emanuel Bach, Mikhail Pletnev	B Minor	0	10A	98 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice	Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus	A Minor	0	8A	114 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM
Concerto in A Minor for Flute and Strings: I. Allegro	Michel Blavet, Dorothee Oberlinger	A♭ Minor	2	1A	116 BPM
Brook Green Suite, H. 190: I. Prelude. Allegretto	Gustav Holst, Richard Hickox, City of London Sinfonia	C Major	1	8B	67 BPM

ISRC: GBBBB2000069
Label: L-M Records/RCA Records

Section: 0.8431193828582764

End: 0.8479743003845215