"Una furtiva lagrima (L´elisir d´amore)" by Jussi Björling, Royal Opera Orchestra Stockholm was released on August 30, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jussi Björling's "Lebendige Vergangenheit - Jussi Björling" album is number 1 out of 18. On top of that, Austria appears to be the country where this track was created. Una furtiva lagrima (L´elisir d´amore) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Una furtiva lagrima (L´elisir d´amore) by Jussi Björling, Royal Opera Orchestra Stockholm to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" - "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | C Major | 0 | 8B | 124 BPM | ||
Bacchi tempel (bort allt vad oro gör) | Carl Michael Bellman, Lunds studentsångarförening | E♭ Major | 1 | 5B | 117 BPM | ||
Ständchen II | Jussi Björling, Frederic Schauwecker | B♭ Major | 4 | 6B | 170 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Manon Lescaut, Act 1: Donna Non Vidi Mai | Jussi Björling | B♭ Major | 4 | 6B | 92 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Leoncavallo: Pagliacci, Act 1 Scene 4: "Recitar! Mentre preso dal delirio … Vesti la giubba" (Canio) | Ruggero Leoncavallo, Jussi Björling, Renato Cellini, The RCA Victor Symphony Orchestra | E Minor | 4 | 9A | 90 BPM | ||
Ein Lied geht um die Welt | Hans May, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | C Major | 2 | 8B | 86 BPM | ||
La Wally, Act I: Ebben?... Ne andrò lontana (Wally) | Alfredo Catalani, Orchestra di Roma della RAI, Arturo Basile, Renata Tebaldi | E Minor | 1 | 9A | 81 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM |
Section: 0.6454274654388428
End: 0.6504631042480469