John Playford, Wolfgang Katschner, Lautten Compagney made "The English Dance Master, Part I: No. 4. Boatmen" available on 2005. The duration of The English Dance Master, Part I: No. 4. Boatmen is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The English Dance Master, Part I: No. 4. Boatmen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 31 in Chamber Music (English Baroque) - Playford / Ravenscroft / Matteis / Purcell/ [Lautten Compagney, Katschner] by Lautten Compagney, Wolfgang Katschner. Based on our statistics, The English Dance Master, Part I: No. 4. Boatmen's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The English Dance Master, Part I: No. 4. Boatmen by John Playford, Wolfgang Katschner, Lautten Compagney is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greyner, Zanner | Piffaro | A Major | 1 | 11B | 132 BPM | ||
Amours amours amours | Antoine Busnois, Karl-Ernst Schröder, Crawford Young | G Major | 1 | 9B | 134 BPM | ||
The English Dance Master, Part II: The English Dance Master, Part II: No. 12. Chirping of the Nightingale | John Playford, Wolfgang Katschner, Lautten Compagney | D♭ Major | 1 | 3B | 79 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
Pues Que Tú, Reina del Çielo | Juan del Encina, The Rose Ensemble, Tim O'Brien, Kristine Kautzman, Lisa Drew, Eric Betthauser, Jordan Sramek | E Minor | 1 | 9A | 172 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Preludio Décimo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Minor | 1 | 11A | 108 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM |
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