- BPM
- 137
- Key
- E♭ Major
- Camelot
- 5B
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio - Ludwig van Beethoven, Elisabeth Sombart, Jordi Mora, Munich Youth Orchestra Information
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 2%
- Instrumentalness
- 82%
- Liveness
- 8%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 1%
- Loudness
- -26.047 dB
Summary
"Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio" by Ludwig van Beethoven, Elisabeth Sombart, Jordi Mora, Munich Youth Orchestra was released on April 6, 2019. Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio appears to be safe for all ages as it is not explicit. The song is number 29 out of 75 in Beethoven Hits by Ludwig van Beethoven, Various Artists. Based on our statistics, Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio BPM
The tempo marking of Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio by Ludwig van Beethoven, Elisabeth Sombart, Jordi Mora, Munich Youth Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | |
 | Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | |
 | Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7497777938842773
End: 0.7543025016784668