"Concerto No. 11 for Oboe in C Minor: I. Largo" by Robert Woodcock, Ensemble Odyssee was released on May 18, 2018. The duration of Concerto No. 11 for Oboe in C Minor: I. Largo is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Concerto No. 11 for Oboe in C Minor: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Woodcock: Concertos for Recorder & Oboe by Ensemble Odyssee. The song's track number on the album is #5 out of 30 tracks. Based on our statistics, Concerto No. 11 for Oboe in C Minor: I. Largo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 11 for Oboe in C Minor: I. Largo by Robert Woodcock, Ensemble Odyssee has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto No. 11 for Oboe in C Minor: I. Largo being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola d'amore Concerto in D Minor, RV 395: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Minor | 2 | 12A | 94 BPM | ||
Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Concerto No. 9 in E Minor: II. Largo | Robert Woodcock, Peter Holman, Rachel Brown, The Parley of Instruments | F Minor | 0 | 4A | 131 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Concerto in G Major, Op. 3 No. 3, RV 310 (Arr. for Trumpet & Orchestra): II. Largo | Anonymous, Antonio Vivaldi, Guido Segers, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | E Minor | 1 | 9A | 99 BPM | ||
Concerto in D Major, TWV 51: D7: II. Allegro | Georg Philipp Telemann, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | A Major | 2 | 11B | 102 BPM | ||
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Largo | Cologne Chamber Orchestra | E Major | 0 | 12B | 95 BPM | ||
Sonata No. 10 in B Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | B Minor | 4 | 10A | 120 BPM | ||
Concerto VI in B Minor: I. Largo | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM |
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