Robert Woodcock, Peter Holman, Rachel Brown, The Parley of Instruments's 'Concerto No. 9 in E Minor: II. Largo' came out on April 1, 2004. With Concerto No. 9 in E Minor: II. Largo being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Orpheus with His Lute: Music for Shakespeare from Purcell to Arne (English Orpheus 50)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto No. 9 in E Minor: II. Largo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 9 in E Minor: II. Largo by Robert Woodcock, Peter Holman, Rachel Brown, The Parley of Instruments having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Les petits riens, K.app.10 (ballet): Gavotte 1 | Wolfgang Amadeus Mozart, Stuttgart Chamber Orchestra, Karl Münchinger | A Minor | 1 | 8A | 88 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Rolf Smedvig, Jahja Ling, Scottish Chamber Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM | ||
Trio Sonata in A Major, A02: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Concerto grosso in C, Op. 6, No. 10 - Rev. by Vittorio Negri (1923 - ): 2. Allemanda (Allegro) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | B♭ Major | 1 | 6B | 60 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM |
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