Antonio Vivaldi, Miho Fukui, Ensemble F made "Concerto for Strings in G Minor, RV 157: II. Largo" available on June 21, 2024. With Concerto for Strings in G Minor, RV 157: II. Largo being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti per fagotto, Vol. 3 by Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F. The song's track number on the album is #16 out of 19 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Concerto for Strings in G Minor, RV 157: II. Largo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Concerto for Strings in G Minor, RV 157: II. Largo by Antonio Vivaldi, Miho Fukui, Ensemble F has a tempo of 157 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Concerto for Strings in G Minor, RV 157: II. Largo being at 157 BPM, the half-time would be 78 BPM with a double-time of 314 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Violins and Viola in E-Flat Major, RV 130, "Suonata a 4 al Santo Sepolcro": II. (Allegro, ma poco) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 5 | 11B | 124 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio | Jean-François Dandrieu, Le Consort, Justin Taylor | D♭ Minor | 5 | 12A | 95 BPM | ||
Trio Sonata in D Major, D01: I. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Minor | 0 | 1A | 78 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: IV. Sarabande (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Trio Sonata in E Major, Op. 1, No. 4, RV 66: III. Allemanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 11 in D Minor for 2 Violins and Cello, RV 565: 3. Allegro | Antonio Vivaldi, John Holloway, Catherine Mackintosh, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 3 | 12A | 129 BPM |
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