- BPM
- 90
- Key
- B♭ Major
- Camelot
- 6B
Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) - Edvard Grieg, English Chamber Orchestra, Raymond Leppard Information
- Acousticness
- 97%
- Danceability
- 14%
- Energy
- 8%
- Instrumentalness
- 76%
- Liveness
- 13%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -20.202 dB
Summary
"Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4)" by Edvard Grieg, English Chamber Orchestra, Raymond Leppard was released on January 1, 1998. Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) appears to be safe for all ages as it is not explicit. The track order of this song in Edvard Grieg, English Chamber Orchestra, Philharmonia Orchestra, Raymond Leppard's "Grieg: Popular Orchestral Suites" album is number 3 out of 27. In terms of popularity, Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) BPM
We consider the tempo marking of Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) by Edvard Grieg, English Chamber Orchestra, Raymond Leppard to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Sigurd Jorsalfar, three Orchestral pieces Op.56: 3. Homage March (Op.22 No.4) Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | |
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | |
 | The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | |
 | Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | |
 | Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | |
 | Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7870140075683594
End: 0.7919261455535889