Birgit Nilsson's 'Vier Letzte Lieder (Four Last Songs), Av 150: Ii. September' came out on March 3, 1953. With this song being about 5 minutes long, at 4:30, "Vier Letzte Lieder (Four Last Songs), Av 150: Ii. September" by Birgit Nilsson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. Vier Letzte Lieder (Four Last Songs), Av 150: Ii. September is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vier Letzte Lieder (Four Last Songs), Av 150: Ii. September by Birgit Nilsson having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal, WWV 111 / Act I: Enthüllet den Gral! | Richard Wagner, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Minor | 1 | 6A | 89 BPM | ||
Don Carlo / Act 4: "O don fatale" | Giuseppe Verdi, Birgit Nilsson, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | A♭ Major | 2 | 4B | 80 BPM | ||
Four Songs, Op 27:2 Cäcilie | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
Elektra, Op.58, TrV 223: "Nun denn, allein!" | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | G Major | 1 | 9B | 76 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Das Rheingold, WWV 86A / Zweite Szene: "Wotan! Gemahl! Erwache!" | Richard Wagner, Josephine Veasey, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
5 Songs, Op. 37: 4. Var det en dröm? | Jean Sibelius, Birgit Nilsson, Wiener Opernorchester, Bertil Bokstedt | B Major | 2 | 1B | 79 BPM | ||
Die Meistersinger von Nürnberg, Act 1, Scene 2: Der Meister Tön' und Weisen | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | C Major | 3 | 8B | 81 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM |
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