Birgit Nilsson, Janos Solyom's 'Four Songs, Op 27:2 Cäcilie' came out on March 3, 1953. The duration of Four Songs, Op 27:2 Cäcilie is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Four Songs, Op 27:2 Cäcilie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Germany. Four Songs, Op 27:2 Cäcilie is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Four Songs, Op 27:2 Cäcilie by Birgit Nilsson, Janos Solyom having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75 / Act I: "Nun höret mich und achtet wohl" | Richard Wagner, Andreas Schmidt, Siegfried Jerusalem, Hartmut Welker, Kurt Moll, Cheryl Studer, Waltraud Meier, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 175 BPM | ||
Tannhäuser, Act 2: "dich, Teure Halle, Grüss' Ich Wieder" | Birgit Nilsson | E Minor | 2 | 9A | 174 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
Oberon, J.306 / Act 1: "Warum musst du schlafen" | Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík | E Major | 0 | 12B | 104 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
12 Songs, Op. 33: 2. Våren | Edvard Grieg, Birgit Nilsson, Wiener Opernorchester, Bertil Bokstedt | F♯ Major | 2 | 2B | 89 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Fasolt und Fafner nahen von fern" | Richard Wagner, Set Svanholm, Eberhard Wächter, Waldemar Kmentt, Kirsten Flagstad, Walter Kreppel, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 101 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Reie | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: Ein ernster Tag, ein großer Tag! | Richard Strauss, Wilma Lipp, Franz Kasemann, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 125 BPM |
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