- BPM
- 72
- Key
- D Minor
- Camelot
- 7A
A Polish Requiem: XI. Sanctus - Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus Information
- Acousticness
- 96%
- Danceability
- 8%
- Energy
- 5%
- Instrumentalness
- 5%
- Liveness
- 5%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 2%
- Loudness
- -21.215 dB
Summary
"A Polish Requiem: XI. Sanctus" by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus was released on May 1, 1996. A Polish Requiem: XI. Sanctus appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Penderecki: Polish Requiem". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. A Polish Requiem: XI. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Polish Requiem: XI. Sanctus BPM
With A Polish Requiem: XI. Sanctus by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A Polish Requiem: XI. Sanctus Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | |
 | Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | |
 | Dvořák: Symphony No. 7 in D Minor, Op.70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Sinfonia Varsovia, Krzysztof Penderecki | D Major | 2 | 10B | 93 BPM | |
 | Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | |
 | 4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | |
 | Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | |
 | Das Rheingold: Prelude | Richard Wagner, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 1 | 4B | 77 BPM |
- ISRC
- GBLWD9605201
- Label
- L-M Records/RCA Records
Section: 0.6472358703613281
End: 0.6517825126647949