Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh's 'Birthday Cantata: Duet: Tu lo merti' came out on January 1, 2015. With Birthday Cantata: Duet: Tu lo merti being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Birthday Cantata: Duet: Tu lo merti is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birthday Cantata: Duet: Tu lo merti by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sinphonia No. 5 for Strings & Continuo in F Major, Op. 1.10: II. Presto | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Concerto for Oboe in E Minor TWV 51:e 1: Largo TWV 51:e 1 (3) | Georg Philipp Telemann, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 129 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Concerto in G Minor: V. Allegro | Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz | D♭ Minor | 1 | 12A | 128 BPM | ||
Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio | Johann Sebastian Bach, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Solene Kermarrec, Ulrich Wolff, Raphael Alpermann | D♭ Major | 0 | 3B | 138 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM |
Section: 0.6322925090789795
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