Spoken Word, Ruby Keeler made "Interview: Ruby Keeler (Bonus Track)" available on 1972. With Interview: Ruby Keeler (Bonus Track) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "No, No, Nanette (New Broadway Cast Recording (1971))". In this album, this song's track order is #24. Interview: Ruby Keeler (Bonus Track) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Interview: Ruby Keeler (Bonus Track) by Spoken Word, Ruby Keeler having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Obease (Freestyle) | Juiced | D Major | 1 | 10B | 115 BPM | ||
On the Town: II. Lonely Town: Pas de Deux | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Major | 0 | 10B | 71 BPM | ||
Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
The Realness | Spoken Word | E Minor | 9 | 9A | 85 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Das Rheingold, WWV 86A: Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Prologue (Allegro moderato) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | F Major | 5 | 7B | 67 BPM | ||
I Will | East Blue, John Eklof, Spoken Word | D♭ Minor | 4 | 12A | 130 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM |
Section: 0.982703447341919
End: 0.9879360198974609