Leroy Anderson, Margaret Hamilton, Nathaniel Frey, Richard Armbruster, Gene Varrone, Lehman Engel made "Goldilocks: Bad Companions" available on 1958. The duration of Goldilocks: Bad Companions is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Goldilocks: Bad Companions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leroy Anderson, Original Broadway Cast of Goldilocks's "Goldilocks (Original Broadway Cast Recording)" album is number 13 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, Goldilocks: Bad Companions's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldilocks: Bad Companions by Leroy Anderson, Margaret Hamilton, Nathaniel Frey, Richard Armbruster, Gene Varrone, Lehman Engel to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Goldilocks: Bad Companions | Leroy Anderson, Margaret Hamilton, Nathaniel Frey, Richard Armbruster, Gene Varrone, Lehman Engel | D♭ Major | 4 | 3B | 140 BPM | ||
Háry János, Op. 15: II. Viennese Musical Clock | Zoltán Kodály, Hungarian State Symphony Orchestra, Ádám Fischer | E♭ Major | 1 | 5B | 132 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Charade / Two for The Road / Moon River - Songs for Audrey | Henry Mancini | A Minor | 1 | 8A | 82 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
West Side Story: Selections for Orchestra | Orlando Pops Orchestra, Andrew Lane | D Major | 2 | 10B | 75 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM |
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