"Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): III. Adagio - Moderato" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. With Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): III. Adagio - Moderato being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): III. Adagio - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 18, "Blaho yest' ispoviedatisia Hospodevi" (It is good to give thanks unto the Lord): III. Adagio - Moderato by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Laudate Pueri: IV. Quis sicut Dominus | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 2 | 11B | 74 BPM | ||
Missae: Agnus Dei | Antonio Lotti, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 75 BPM | ||
Sacred Concerto No. 34, May God Arise | Dmitry Bortniansky, Yekaterinburg Philharmonic Choir, Andrei Petrenko | F Major | 1 | 7B | 80 BPM | ||
This Is Worthy of Praise | Dmitry Bortniansky, Suzdal Holy Virgin's Protecting Veil Choir | B♭ Minor | 0 | 3A | 93 BPM | ||
Pie Jesu, pastor alme | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM |
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