"Miserere a 8: No. 5, Asperges me hyssopo - Auditui meo" by Leonardo Leo, Catherine Greuillet, Brigitte Vinson, Bruno Boterf, François Fauche, Marie-Pierre Wattiez, Gemma Coma-Alabert, Vincent Bouchot, Paul Willenbrock, Yannick Varlet was released on 2001. With Miserere a 8: No. 5, Asperges me hyssopo - Auditui meo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble William Byrd, Graham O'Reilly's "Miserere: Works by Gregorio Allegri, Leonardo Leo, Giovanni Moro da Viadana & Francesco Scarlatti" album is number 29 out of 35. On top of that, France appears to be the country where this track was created. Based on our statistics, Miserere a 8: No. 5, Asperges me hyssopo - Auditui meo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere a 8: No. 5, Asperges me hyssopo - Auditui meo by Leonardo Leo, Catherine Greuillet, Brigitte Vinson, Bruno Boterf, François Fauche, Marie-Pierre Wattiez, Gemma Coma-Alabert, Vincent Bouchot, Paul Willenbrock, Yannick Varlet to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Concerto grosso in D Major, D-WD 538, After Sonata, Op. 5 No. 1 by Corelli: III. Allegro | Giovanni Benedetto Platti, Ensemble Cordia, Stefano Veggetti | B♭ Minor | 0 | 3A | 112 BPM | ||
Hasse: Demofoonte, Sinfonia: I. Allegro | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 2 | 3B | 136 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Preludio in fantasia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: III. Allegro | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D♭ Minor | 1 | 12A | 90 BPM | ||
Flute Concerto in G Major, Wq. 169, H. 445: III. Presto | Carl Philipp Emanuel Bach, Peter Thalheimer, Collegium Musica Rara Stuttgart | F♯ Major | 2 | 2B | 99 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: IV. Allegro | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5: IV. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 108 BPM |
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