"Candide, Act 1: Glitter and Be Gay" by Leonard Bernstein, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra was released on October 4, 2019. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lucienne Renaudin Vary, Bill Elliot, BBC Concert Orchestra's "Mademoiselle in New York" album is number 13 out of 14. Based on our statistics, Candide, Act 1: Glitter and Be Gay's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Candide, Act 1: Glitter and Be Gay by Leonard Bernstein, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto (Live) | Dmitri Shostakovich, New York Philharmonic, Leonard Bernstein | C Major | 1 | 8B | 167 BPM | ||
Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance. Allegretto vivace | Edvard Grieg, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 129 BPM | ||
Hora Staccato | Grigoras Dinicu, Leonard Bernstein, New York Philharmonic | E♭ Major | 3 | 5B | 145 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Peter and the Wolf, Op. 67: Andante molto | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM |
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