"Manon Lescaut / Act 4: Sei tu che piangi?" by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. Manon Lescaut / Act 4: Sei tu che piangi? is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #9. Manon Lescaut / Act 4: Sei tu che piangi? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 4: Sei tu che piangi? by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
La forza del destino, Act I: Me pellegrina ed orfana (Donna Leonora) | Giuseppe Verdi, Mirella Freni, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Major | 1 | 9B | 78 BPM | ||
Vanne, o rosa fortunata | Vincenzo Bellini, Cecilia Bartoli, James Levine | F♯ Major | 1 | 2B | 75 BPM | ||
Don Carlo, Act I: Io l'ho perduta | Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
La Bohème / Act 4: "Gavotta" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 2 | 6B | 74 BPM | ||
Rigoletto / Act 2: "Ah! piangi, fanciulla" / "Padre, in voi parla un angiol" (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 92 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
Puccini: Suor Angelica: "Sorella, o buona sorella" (Suor Genovieffa, Chorus, Suor Angelica) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 1 | 8B | 97 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM |
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