"Verdi: Messa da Requiem: XVIII. Requiem aeternam" by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano was released on January 1, 1987. The duration of Verdi: Messa da Requiem: XVIII. Requiem aeternam is about 3 minutes long, at 3:16. Based on our data, "Verdi: Messa da Requiem: XVIII. Requiem aeternam" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #18 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Messa da Requiem: XVIII. Requiem aeternam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: XVIII. Requiem aeternam by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Messa da Requiem: XVIII. Requiem aeternam being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 144 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Manfred Schmidt /Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Minor | 2 | 4A | 72 BPM | ||
La Forza del Destino (1997 - Remaster), Act II: Madre, pietosa Vergine | Giuseppe Verdi, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 81 BPM | ||
Rigoletto / Act 2: "Possente amor" | Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 135 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 119 BPM | ||
Wagner: Tannhäuser, Act 1: "Geliebter, sag! Wo weilt dein Sinn?" (Venus, Sirenen) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Waltraud Meier | F Major | 1 | 7B | 82 BPM | ||
Don Carlo - Highlights (1986 Digital Remaster): Canzone del velo 'Nel giardin del bello' (Eboli/Tebaldo/Dame) | Giuseppe Verdi, Montserrat Caballé, Shirley Verrett, Delia Wallis, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini, Orch.Of Royal Opera House Covent Garden | A Major | 2 | 11B | 95 BPM |
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