"Oboe Concerto in G Minor, HWV 287: II. Allegro" by George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus had its release date on June 24, 2022. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrius Puskunigis, Vincent Bernhardt, Klaipėda Chamber Orchestra, Mindaugas Bačkus's "Handel: Oboe Concertos" album is number 6 out of 22. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Oboe Concerto in G Minor, HWV 287: II. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto in G Minor, HWV 287: II. Allegro by George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto á 5 in C Minor: I. Allegro ma non Presto | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | C Minor | 4 | 5A | 124 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
Mondonville: In exitu Israel: I. (a) Introduction | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: II. A tempo giusto | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 2 | 4B | 124 BPM |