Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm's 'Mondonville: In exitu Israel: I. (a) Introduction' had a release date set for August 25, 2023. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 24 in Campra, Rameau, Mondonville by Emmanuelle Haïm, Le Concert d'Astrée. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mondonville: In exitu Israel: I. (a) Introduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mondonville: In exitu Israel: I. (a) Introduction by Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Lasciate i monti, lasciate i fonti" (Ninfe, Pastori) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | D Minor | 0 | 7A | 77 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 80 BPM | ||
Bach, JS: Magnificat in D Major, BWV 243: VI. Duet. "Et misericordia" | Johann Sebastian Bach, Emmanuelle Haïm, Toby Spence, Le Concert d'Astrée | F♯ Minor | 4 | 11A | 132 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | D Minor | 3 | 7A | 71 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: III. Vivace | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | B♭ Major | 2 | 6B | 145 BPM | ||
Concerto a 5 in E Minor, Op. 5, No. 9: I. Allegro | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Toccata | Claudio Monteverdi, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Major | 3 | 5B | 133 BPM |